Fan Club Cards of Early R&R Stars, Part 2 – Individual Stars
By Seth Kaminsky (USA)
Here we have Part 2 of our exploration into the world of early Rock ‘n Roll Fan Club cards!
Fan Club Cards of Early R&R Stars, Part 1 –
ELVIS PRESLEY can be found HERE!
Fan Club Cards of Early R&R Stars, Part 3 –
THE GROUPS can be found HERE!
As was discussed in PART 1 of this series, relating to Elvis Presley, Fan Clubs represented an important support mechanism to the careers of most early Rock & Roll stars. While Elvis had many national and local clubs, most other stars only had national clubs. Elvis was indeed unique in this regard.
The record companies pushed and boosted Fan Clubs, as the more fans a star had, the better for their record sales.
Clubs not only were in existence in the 1950’s and 60’s for major R&R recording stars but many are in operation today for artists like Jerry Lee Lewis (now 78), Little Richard (81), Fats Domino (85) and Chuck Berry (87).
An internet search of your favorite star + “Fan Club” will often reflect a club or clubs somewhere in the world and this is true today regarding most of the better known early stars.
In fact, as with Elvis, passing away doesn’t at all diminish fan enthusiasm, Witness existing clubs for Rick Nelson who passed away in 1985, Gene Vincent (in 1971), Eddie Cochran (in 1960) and Buddy Holly (in 1959). Their great music rolls on, loved by fans old and new.
UK stars like Cliff Richard, Tommy Steele and Billy Fury, plus no doubt hundreds of others around the world, also had their Fan Clubs and their fan club cards.
While there were indeed clubs supporting female stars like Brenda Lee, LaVern Baker, Peggy March, Connie Francis and others, the overwhelming majority of clubs involved male stars and their female fans.
Many clubs also issued cards encouraging fans to join their club.
The cards of Frankie Ford and Fabian are examples of these.
Clubs supporting early American R&R Stars existed in many countries with the UK, France and French speaking Canada being the most prolific.
Here are a few non USA cards featuring Bill Haley, Gene Vincent, Eddie Cochran, Carl Perkins (notice how his name is spelled incorrectly), Little Richard and Jerry Lee Lewis.
In some clubs, the fan cards were individually signed by the star as is evidenced in the cards of Bobby Vinton and Bobby Rydell.
Often, new cards were issued when the club address changed. This gave the club the opportunity to add a little something to their card.
For example, the Chuck Berry club (which had a very slick card, no doubt sponsored by Chess Records) only added the address change to the front of their revised card but used a different picture of Chuck on the flip side.
Certainly, as was the case with Elvis, there were sometimes multiple clubs in operation for a single star.
As depicted by these cards for teenage heartthrobs Ricky Nelson (including his card earlier in this article) and Tommy Sands we have different cards from different clubs.
DJ’s got into the act as well with their own fan clubs.
Here are cards for Alan Freed and Dick Clark.
In some situations, the lead singer of a group (today known as the front man) achieved greater popularity than the group as a whole or might have moved on as a soloist as in the case of Dion and the Belmonts and Buddy Holly and the Crickets. The card displayed at the top of this article reflects that these Buddy Holly fans at least, left the Crickets behind.
Here are a few additional example cards of the genre featuring guys like James Brown, Roy Hamilton, Jimmy Clanton, Gene Pitney, Al Hibbler and Freddy Cannon.
Again, it is pointed out that these are just examples of early R&R fan club cards and in no way intended to be comprehensive. Obviously, these is no such thing as a ‘complete set’ of Fan Club cards as there were clubs and club cards issued for little known stars as well.
Any fans of Jon Thomas or Jimmy Cavallo out there?
Here are their Fan Club cards!
As can be seen from the examples in this article, there are indeed blank cards out there,
but just as many are found with the name inserted by some fervent fan from way back when.
Bottom line, regardless of your favorite recording star, there was probably a Fan Club (and a fan club card) supporting him or her,
and it’s fascinating, decades later, to hold in your hand the tangible proof of true fan loyalty.
Next up in this series: Part 3 – The Groups.
All Fan Club cards presented in this article are from Seth’s personal collection.
Please check out these two other very interesting articles by Seth, dealing with vintage Elvis Presley Bubblegum Cards:
‘The Story Of The 1956 Elvis Bubblegum Card Set’ can de found HERE!
‘Elvis in Other 1950′s And 60′s Card Sets’ can be found HERE!
Ahhhh … what a great posting.
I really love it all but appreciate the Ricky Nelson cards. Could I purchase them from you?
All of this is way cool and your writing is fabulous.
I love many 50’s singers, but love Ricky and Elvis most.
Thanks soooo much for this posting!
Seth, you’re the man !!!
I really enjoy your very knowledgeable and attractive postings. Please, keep them coming.
Great Fan Club cards, but you want the Eddie Cochran Fan Club card I have.
Jorgen: I probably DO want it!
I buy rare Elvis records, RCA cards and RCA photos.
And also Fan club card of Rock ‘n’ Roll singers: Elvis Presley, Eddie Cochran, Gene Vincent, Chuck Berry, Ricky Nelson …
You can contact me at: email@example.com
Do you have any Tommy Steele cards?
Sarah: You can contact me at Rockards@aol.com for Tommy Steele cards. I have a few.
Hello Fan Club Members,
I have been collecting all my life and these wonderful Stage and Cinema cards representing Tommy Steele have come to light. I have no knowledge of this type of card could you please help.
Tommy Steele cards individually numbered,
size 3 ¾ x 2 5/8 inches
No numbers or writing on back (plain card)
I would be very grateful for some history about these cards and if someone would like to buy them that is possible.
Somewhere I saw a Fan Club card for The Sixteens with the address of 618 South Ridgley,
Just North of Wilshire Blvd, this address was the home of FLIP Records owned by ex-Imperial salesman Max Fiertag and his wife Lillian.
It was not an office at all, but a duplex-style dwelling set among several others.
I went there once in the early 60s and a man answered the door dressed in a robe.
Explaining that I wanted photos of Donald Woods, Richard Berry and The Sixteens, he said he would look to see what he had, and that each photo would be 50 Cents EACH!
I departed with what I came for, and two dollars shorter.
One of the photos of Richard Berry wasn’t even an 8×10.
First time I was ever charged for photos.